Blog

The Fall of Athens: A Book Review, by Luca Zanchi

Some years ago, as I decided to transition from being a Diamanda Galàs’ devoted fan into a scholar studying her art...

AINA Guest Editorial: A Cry of Help By the Assyrians (AINA, September 27, 2005), By Dr. Dogu Ergil

I have been awed by Assyrian art twice: The first occasion was while standing before a huge ancient stone relief depicting a war scene exhibited in the British Museum during my university years. The second was a collection of silver ornaments called ‘telkari’ made by fine threads of silver. They looked like metal embroidery of the finest kind. Decades later I visited Mardin and Midyat to discover that long after the disappearance of the Assyrian Empire, the fine masonry they have left behind had lived on.

I just can’t die now – all interiors sing, by Allan Nilsson

I just can’t die now – all interiors sing: A few notes on the vocalism of Diamanda Galás and “Lonely Woman” by Coleman/Galás

Mi Muerte y Diamanda Galás, by Miguel Huezo

Great piece written by the renowned poet and writer Miguel Huezo, upon the first first meeting of Huezo and Galás a decade ago. Republished in Revista Cultura No. 110, August 2013.

“Diamanda Galas – Not Comparable…” by Stian M. Eriksen

Wonderful blog post about Diamanda’s work

Diamanda Galas: History of a Passion VII, by Jennifer Walsh

Read more at thewisehallrise.blogspot.ca

Diamanda Galás and The Sporting Life, by Alicia Fiorucci

DIAMANDA GALAS & JOHN PAUL JONES, The Sporting Life 1994

Serpenta Embroidery II: “You Don’t Know What Love Is”, by Alan Ishii

Portrait of Diamanda, by Eric Boudreau

On Espergesia

Blog post on ESPERGESIA, performed in the Mausoleum of Emanuel Vigeland Museum (Oslo, Norway)

The Gulabi Gang

Intravenal Sound Operations would like to thank Bryan Heitz for bringing this to our attention