Concert review of Diamanda Galás at the Stockholm Music & Arts festival, August 2, 2013

by Allan Nilsson Spanish translation, here. Preamble Stockholm Music & Arts is a three days long outdoor festival taking place in a beautiful location in the heart of the city on a tiny island. Among the artists that performed at the festival were CocoRosie, Billy Bragg and Prince—a mixed but…

Zabrzmiał nieludzki, fascynujący wokal Diamanda Galás (Wroclaw, Poland)

By KORNELIA GŁOWACKA-WOLF 19.06.2015 20:01 Głos nieprawdopodobny, o niewiarygodnej skali, świdrujący mózg, rozrywający serce – od pisku po charkot przez szept, jęk do krzyku, do tego zapętlona transowa muzyka – w Imparcie amerykańska artystka zaprezentowała ekspresyjny i mroczny “Das Fieberspital” oparty na tekstach Georga Heyma i jej własnych. Artykuł otwarty…

Armenian Poetry Project, by Serkan Engin

A riveting poem about Armenian Genocide, “Barbarian and Ms Daisy” by Turk-Laz poet Serkan Engin. View and read it here.

Write-up of Vladislav Shabalin’s “Aquarium”, with music by Diamanda Galás.

A write-up of the most recent installation, in Italy, of Vladislav Shabalin’s “Aquarium”, with music by Diamanda Galás:

LAFF review of James Wan’s supernatural thriller, The Conjuring

From LAFF review of James Wan’s supernatural thriller, The Conjuring: “Heightening the mood throughout is the churn and squall of Joseph Bishara’s score (with featured vocals by avant-garde priestess Diamanda Galas) …”

Living in a Material World

Living in a Material World Madonna fights back against ageism and sexism in the entertainment industry Madonna performing at the 57th Annual Grammy Awards: “The disgusting comments towards her age and behaviour at the Grammys in February were some of the most regressive made towards a woman in recent memory.”…

Un Salto del Tiempo al Espacio, por Josu Sein

Un análisis de “Wild Women with Steak-Knives,” que examina el amplio espectro de cuestiones difíciles que Diamanda Galás sigue explorando. View and read it here.

“Diamanda Galas – Not Comparable…” by Stian M. Eriksen

Wonderful blog post about Diamanda’s work, by Stian M. Eriksen:

Review of James Wan’s The Conjuring (featuring vocals by Diamanda Galás)

Another review of James Wan’s film, The Conjuring, which includes “the amazing solo voice performance of Avant-Garde music marvel, Diamanda Galas”:

A Homicidal Love Song For the Solo Scream: On the Music of Psychotic States of Mind, by Lech Kalita

“A HOMICIDAL LOVE SONG FOR SOLO SCREAM”: ON THE MUSIC OF PSYCHOTIC STATES OF MIND By Lech Kalita From the bilingual (English/Polish) book “Art and Freedom”, published by Museum of Contemporary Art in Kraków (Poland).Kalita discusses the yet unintelligible communication of psychotics, and does an analysis of the composition “Wild…

‘How to Survive a Plague,’ AIDS documentary by David France

A Poet’s Voice: An appreciation of the art of Diamanda Galás by Christos Tsiamis

Writer and poet Christos Tsiamis investigates the poetic origins and emotional power of Diamanda’s lyrics and voice in this compelling essay. View and read it here.

Mi Muerte y Diamanda Galás

Great piece written by the renowned poet and writer Miguel Huezo, upon the first first meeting of Huezo and Galás a decade ago — view and read it here. Republished in Revista Cultura No. 110, August 2013.


by Diamanda Galás September 13 2013 Spanish translation by Yaxkin García, here. French translation by Aurore U, here. The “Naïve” Solution I am begging rich women who care: Please have bail money and cars ready to take this woman out of Mexico when she is captured. I guarantee the authorities will torture…

The Gulabi Gang

Intravenal Sound Operations would like to thank Bryan Heitz for bringing this to our attention: