Un Salto del Tiempo al Espacio, por Josu Sein

Un análisis de “Wild Women with Steak-Knives,” que examina el amplio espectro de cuestiones difíciles que Diamanda Galás sigue explorando. View and read it here.

“Diamanda Galas – Not Comparable…” by Stian M. Eriksen

Wonderful blog post about Diamanda’s work, by Stian M. Eriksen:

Review of James Wan’s The Conjuring (featuring vocals by Diamanda Galás)

Another review of James Wan’s film, The Conjuring, which includes “the amazing solo voice performance of Avant-Garde music marvel, Diamanda Galas”:

A Homicidal Love Song For the Solo Scream: On the Music of Psychotic States of Mind, by Lech Kalita

“A HOMICIDAL LOVE SONG FOR SOLO SCREAM”: ON THE MUSIC OF PSYCHOTIC STATES OF MIND By Lech Kalita From the bilingual (English/Polish) book “Art and Freedom”, published by Museum of Contemporary Art in Kraków (Poland).Kalita discusses the yet unintelligible communication of psychotics, and does an analysis of the composition “Wild…

‘How to Survive a Plague,’ AIDS documentary by David France

A Poet’s Voice: An appreciation of the art of Diamanda Galás by Christos Tsiamis

Writer and poet Christos Tsiamis investigates the poetic origins and emotional power of Diamanda’s lyrics and voice in this compelling essay. View and read it here.

Mi Muerte y Diamanda Galás

Great piece written by the renowned poet and writer Miguel Huezo, upon the first first meeting of Huezo and Galás a decade ago — view and read it here. Republished in Revista Cultura No. 110, August 2013.


by Diamanda Galás September 13 2013 Spanish translation by Yaxkin García, here. French translation by Aurore U, here. The “Naïve” Solution I am begging rich women who care: Please have bail money and cars ready to take this woman out of Mexico when she is captured. I guarantee the authorities will torture…

The Gulabi Gang

Intravenal Sound Operations would like to thank Bryan Heitz for bringing this to our attention:

Diamanda Galás: Meltdown, Royal Festival Hall, London, by Liz Tray

“It was like being punched in the face with sound.” An animated review of Meltdown in London, 2012, by writer and editor Liz Tray. View and read it here.

España Jodida por el Catolicismo / Spain fucked up by Catholicism

“I guess that people think that Spain has conquerd LGBT rights, but our current government, in collusion with the Roman Catholic church, is trying to demonize all that we – transexuals, gays and atheists – have conquerd in this country We don’t hurt anyone, but those who have the religious…

RUINS – The chronicle of an HIV witch-hunt

Original Greek webpage: English translation by Dimitris Korizis, here.


Blog post on ESPERGESIA, performed in the Mausoleum of Emanuel Vigeland Museum (Oslo, Norway):

Diamanda Galás and the Mythic Image, by Michael Flanagan

When listening to Diamanda Galás in the past I have been struck by both the imagery she uses and that she evokes both audibly and visually.  For me she has struck on a number of iconic images, both from Greek cultural history and myth, which enrich and inform her work…

I just can’t die now – all interiors sing, by Allan Nilsson

I just can’t die now – all interiors sing: A few notes on the vocalism of Diamanda Galás and “Lonely Woman” by Coleman/Galás by Allan Nilsson Let me put the record straight — a goddess or a she-devil is encountered, not defined. My approach to an understanding of the vocalism…